Calendar

Dub
10
Út
Preserving and Transforming Sound Memories (workshop) v Klášter dominikánů, refektář, Dominikánská 8
Dub 10 @ 16:30
Preserving and Transforming Sound Memories (workshop) @  Klášter dominikánů, refektář, Dominikánská 8 | Hlavní město Praha | Česko

Workshop Preserving and Transforming Sound Memories se uskuteční v rámci projektu HERA. Součástí workshopu budou živě interpretované hudební ukázky. (Odkaz na Facebook zde).

Dub
15
Ne
Fida Pfister Stipendium – deadline
Dub 15 celý den
Fida Pfister Stipendium - deadline

Vážené kolegyně, vážení kolegové,

Společnost Husova muzea v Praze a Centrum medievistických studií vypisují stipendium pro doktorandy medievisty. Budeme se těšit na přihlášky!

S pozdravem Robert Novotný

Fida Pfister Stipendium je stipendium pro doktorandy medievisty z České republiky. Zřizovateli jsou Společnost Husova muzea v Praze, Centrum medievistických studií a Universität Konstanz. Smyslem je poskytnout podporu pro týdenní badatelské pobyty v Kostnici, zejména pro studium ve zdejší univerzitní knihovně, která disponuje rozsáhlým prezenčním fondem medievistické literatury. Úspěšní uchazeči mají zajištěno zdarma ubytování v Husově domě a uhrazení cestovních nákladů, od univerzity obdrží podporu 100 EUR. Kromě toho získají průkaz do knihovny, kopírovací/skenovací kartu, průkazku do menzy, pro zájemce je k dispozici kolo. Termín pobytu bude operativně dohodnut podle technických možností provozu Husova domu.

Zájemci o stipendium nechť stručně popíší svůj badatelský záměr (max. jedna normostrana) a zašlou ho spolu s profesním životopisem na adresu novotny@flu.cas.cz. Aktuální termín odevzdání žádostí je 15. duben 2018, pro letošní rok jsou vypsána dvě stipendia.

Kvě
30
Čt
Enclosed and wrapped about with dust: Latin and English in the material history of the Bible in England, 1200-1553 v ÚŘLS FF UK, místnost 147
Kvě 30 @ 18:00
Enclosed and wrapped about with dust: Latin and English in the material history of the Bible in England, 1200-1553 @ ÚŘLS FF UK, místnost 147

Na přednášku Dr. Eyal Polega (Queen Mary University of London) srdečně zvou KREAS, Ústav řeckých a latinských studií a Jednota klasických filologů.

Abstrakt přednášky naleznete v pozvánce.

Pozvánka

Říj
3
Čt
History and Theory of Autobiography: Introduction v Faculty of Arts, room P319
Říj 3 @ 17:30 – 19:00
History and Theory of Autobiography: Introduction @ Faculty of Arts, room P319

Lecturer: Klára Soukupová (Prague).

Annotation:

The genre of autobiography is often situated on borderline between fiction and non-fiction; autobiography refers to real characters and events, but at the same time it is a literary work of art, a verbal construct. The lecture concentrates on major problems of the genre of autobiography (truth, memory, subjectivity) as well as on history of autobiography (canonical texts) and it goes through development of theory of autobiography in 20th century.

The lecture is a part of the series Me and the World … Autobiography in Medieval and Early Modern Europe.

Říj
10
Čt
The Haunted: Writing the Self on the Edge. Icelandic Autobiographies in the Early Modern Age v Faculty of Arts, room P319
Říj 10 @ 17:30 – 19:00
The Haunted: Writing the Self on the Edge. Icelandic Autobiographies in the Early Modern Age @ Faculty of Arts, room P319

Lecturer: Jürg Glauser (Zürich).

Annotation:

Icelandic literary culture of the seventeenth and eighteenth centuries still bears many traces of the medieval tradition. This is also the case when it comes to representations of self-conceptions as expressed in early modern autobiographies. The present paper deals primarily with two representative examples of the genre,

1) the priest Jón Magnússon’s (1610-96) Píslarsaga (1658-59, ‘Story of Sufferings’(English translation by Michael Fell as And Though This World with Devils filled. A Story of Sufferings, 2007)

2) Sjálfsævisaga (1750ff., ‘Autobiography’) by the priest síra Þorsteinn Pétursson á Staðarbakka (1710-85) Beyond being quite remarkable representations of autobiographies in general, the two texts display a number of features that are specific for this genre in the pre-modern era, such as the creations of individual selves in relation to God and society, the importance of Christian faith, belief, religion and theology, the vital role mental and physical health plays in the narratives. In Píslarsaga, an additional element that defines the text in a very specific manner are the descriptions of the prosecution of putative sorcerers in seventeenth century Iceland.

The lecture is a part of the series Me and the World … Autobiography in Medieval and Early Modern Europe.

Říj
17
Čt
The Hero: Imagining the Viking Life: (Pseudo)Autobiographical poetry in the Old Norse Legendary Sagas v Faculty of Arts, room P319
Říj 17 @ 17:30 – 19:00
The Hero: Imagining the Viking Life: (Pseudo)Autobiographical poetry in the Old Norse Legendary Sagas @ Faculty of Arts, room P319

Lecturer: Carolyne Larrington (Oxford).

Annotation:

This lecture will talk about some of the ways in which the poetic form of ‚ævidrápur‘ (deeds of a life) functions within the fornaldarsaga genre in Old Norse. These autobiographically styled poems look back over and reflect a little on the lives of the Viking ancestors of medieval Scandinavians. Some may indeed draw on ancient traditions, others be antiquarian re-imaginings, but their focus on violence, loss, regret – and even love – allows us draw parallels with other kinds of autobiographical composition.

The lecture is a part of the series Me and the World … Autobiography in Medieval and Early Modern Europe.

Říj
31
Čt
The Self-Harmer: (Auto-)Biography and Self-Flagellation: Henry Suso’s Vita as a Guide to Finding One’s Own Cross v Faculty of Arts, room P319
Říj 31 @ 17:30 – 19:00
The Self-Harmer: (Auto-)Biography and Self-Flagellation: Henry Suso's Vita as a Guide to Finding One's Own Cross @ Faculty of Arts, room P319

Lecturer: Jan Hon (Berkeley).

Annotation:

Henry Suso’s Vita narrates the life of a „Servant of Eternal Wisdom“ as a path from the state of sin to the state of „Gelassenheit“ (composure/serenity/“let-it-be-ness“) and unity with God. What makes this text unique even in the context of late medieval mysticism is its autobiographical impetus. Though narrated in the third person, the text uses a number of strategies to link the narrative to the historical figure of Henry Suso. That, in turn, makes the hagiographical tone of the account a notably risky endeavor: how can one authorize his own life, filled with self-induced suffering, as an imitatio Christi and, at the same time, present it as an example to be followed by others? The talk will discuss this tension between hagio-graphy and auto-bio-graphy along with the medial strategies in both the manuscript and the print transmissions employed to provide the audience with spiritual participation in the servant’s (self-)torturous way to God.

The lecture is a part of the series Me and the World … Autobiography in Medieval and Early Modern Europe.

Úvod > Calendar